Manjula Nayak, the protagonist of the story is in her thirties or forties. She has a confident stride, and a flamboyant and superficial self. A lecturer of English in Bangalore she gives up her job as she has received a huge advance for her masterpiece, “The River Has No Memories”.
A little-known face in Kannada, she acquires an international image and inherits problems of loyalty and betrayal. Torn between her success and perceived betrayal of her own language and identity, Manjula Nayak is in a tug-of-war with her own image, as she comes to terms with her choices.
Her love for her crippled sister is genuine. She always has the guilt of being the second choice. She always thinks herself to be inferior to Malini, be it in intelligence or beauty. Towards the end of the drama, the truth unfolds. Manjula has not penned even a word of the novel and has ‘literally’ stolen Malini’s identity, creativity, and language. Apparently, it is her revenge for years of agony.