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Evaluate the compositional arrangement of any three of the following in short. : 

(i) Birth of Salim 

(ii) Krishna Lifting Mount Govardhna 

(iii) Ragini Pat-Hansika 

(iv) Hazarat Niamuddin Auliya and Amir Khusro

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The five miniature paintings strictly on the basis of the fundamentals of Visual Arts :

(i) Birth of Salim (Mughal School) 

(ii) Krishan Lifting the Mount Goverdhana (Mughal School) 

(iii) Kabir and Raidas (Mudhal School) 

(iv) Ragini Pat-Hansika (Deccani School) 

(v) Hazart Nizamuddin AUliya and Amir Khusro (Deccani School) 

(i) Birth of Salim - The painting has been composed vertically by Mughal painter Ramdas. He used water colour in tempra technique on paper. In this painting the division of space has been made successfully and more than one episode has been depicted in one painting by using ideal perspective. 

(ii) Krishna Lifting the Mount Govardhana - The painting ‘Krishna lifting the Mount Govardhana is an exquisite piece from Akbar’s atelier. It has been composed vertically by Mughal painter Miskin. In this painting painter showed emphasis on the Lord Krishna ‘Virata-rupa’ who is holding the Mount Govardhana on his left hand and provided shelter to the Brijvasis. 

(iii) Kabir and Ravidas - This horizontally and almost symmetrically composed painting done only in few colours (different tones of yellow and brown) with due emphasis of the transcendental communication between the saints are representative by this Mughal Miniature painting done by Ustad Fakrullaha Khan successfully. 

(iv) Ragini Pat Hansika – In this Deccan miniature painting of Ahmednagar sub school is composed vertically and almost in symmetrical manner. Water colour in tempera technique are used. Thin and forceful lines are rendered. Necessary textual effects are given. On the top of the composition some inceptions are done in Devnagri script. 

(v) This Hyderabad miniature painting painted in tempera technique is well composed vertically and almost formally shows with the appropriate colour harmony. 

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